Installation view of Pass the Peas at Josh Lilley, presenting Patrick Caulfield
Installation view of Pass the Peas at Josh Lilley, presenting Patrick Caulfield
Installation view of Pass the Peas at Josh Lilley, presenting Patrick Caulfield
Installation view of Pass the Peas at Josh Lilley, presenting Patrick Caulfield
Installation view of Pass the Peas at Josh Lilley, presenting Patrick Caulfield
Installation view of Pass the Peas at Josh Lilley, presenting Patrick Caulfield
Installation view of Pass the Peas at Josh Lilley, presenting Patrick Caulfield
Installation view of Pass the Peas at Josh Lilley, presenting Patrick Caulfield
Installation view of Pass the Peas at Josh Lilley, presenting Patrick Caulfield
Installation view of Pass the Peas at Josh Lilley, presenting Patrick Caulfield
Installation view of Pass the Peas at Josh Lilley, presenting Patrick Caulfield
Installation view of Pass the Peas at Josh Lilley, presenting Patrick Caulfield
Installation view of Pass the Peas at Josh Lilley, presenting Patrick Caulfield
Installation view of Pass the Peas at Josh Lilley, presenting Patrick Caulfield
Installation view of Pass the Peas at Josh Lilley, presenting Patrick Caulfield
Installation view of Pass the Peas at Josh Lilley, presenting Patrick Caulfield
Installation view of Pass the Peas at Josh Lilley, presenting Patrick Caulfield
Installation view of Pass the Peas at Josh Lilley, presenting Patrick Caulfield
Installation view of Pass the Peas at Josh Lilley, presenting Patrick Caulfield
Installation view of Pass the Peas at Josh Lilley, presenting Patrick Caulfield
Installation view of Pass the Peas at Josh Lilley, presenting Patrick Caulfield
Installation view of Pass the Peas at Josh Lilley, presenting Patrick Caulfield
Installation view of Pass the Peas at Josh Lilley, presenting Patrick Caulfield
Installation view of Pass the Peas at Josh Lilley, presenting Patrick Caulfield
Installation view of Pass the Peas at Josh Lilley, presenting Patrick Caulfield
Installation view of Pass the Peas at Josh Lilley, presenting Patrick Caulfield
Installation view of Pass the Peas at Josh Lilley, presenting Patrick Caulfield

Artworks

Self portrait by Patrick Caulfield, 1953
Study (including 'Night Sky'), 1973 by Patrick Caulfield, undefined
Study (pipe and matchbox), c.1970 by Patrick Caulfield, undefined
Study for 'Wine Glasses', 1969 by Patrick Caulfield, undefined
Study for ‘Tate menu’ by Patrick Caulfield, undefined
Untitled (meat), 1979-80 by Patrick Caulfield, undefined
Untitled (potatoes), 1979-80 by Patrick Caulfield, undefined
Untitled (beetroot), 1979-80 by Patrick Caulfield, undefined
Study for ‘Selected Grapes’ , 1977 by Patrick Caulfield, undefined
Untitled (lobster), 1980 by Patrick Caulfield, undefined
Big Sausage by Patrick Caulfield, 1977
Untitled (Jules Laforgue) ‘Pebbles’, 1970 by Patrick Caulfield, undefined
Untitled (Jules Laforgue) ‘Broken Window’, 1970 by Patrick Caulfield, undefined
Untitled (Jules Laforgue) ‘Woman in Shadow’, 1970 by Patrick Caulfield, undefined
Home (design for Formica mural) by Patrick Caulfield, undefined
Study for Sun Lounge, 1975 by Patrick Caulfield, undefined
Study (including ‘Curtain and Bottle’) by Patrick Caulfield, 1973
Untitled (pint of Guinness) by Patrick Caulfield, 1966
Study (including ‘Curtain and Bottle’) by Patrick Caulfield, 1973
Study (including ‘Pipe and Jug’ and ‘Tulips’) by Patrick Caulfield, 1973
Study (including ‘Interior Evening’ and ‘Interior Noon’) 1970-71 by Patrick Caulfield, undefined
Study for ‘Water Lilles’, 1968 by Patrick Caulfield, undefined
Study for ‘Perfume Jar’, 1964 by Patrick Caulfield, undefined
Study for ‘Landscape with Birds’ by Patrick Caulfield, 1963
Study for Juan Gris, c.1963 by Patrick Caulfield, undefined
Untitled (building), c.1963 by Patrick Caulfield, undefined
Untitled (jug), c.1963 by Patrick Caulfield, undefined
Untitled (kitchen), c.1972 by Patrick Caulfield, undefined
Study for ‘Italian Girl’, c.1962 by Patrick Caulfield, undefined
Study for ‘Italian Girl’, c.1962 by Patrick Caulfield, undefined
Sketchbook by Patrick Caulfield, 1961
Sketchbook by Patrick Caulfield, 1964
Sketchbook by Patrick Caulfield, 1959
Study (including ‘Two Whiting’ and ‘Vineyard’), 1971-2 by Patrick Caulfield, undefined
Study for ‘Vineyard’, 1971 by Patrick Caulfield, undefined

Patrick Caulfield

Pass the Peas

18 May – 20 June 2023

Josh Lilley is honoured to present Pass the Peas, an exhibition of never-before-seen works by iconic post-war British artist Patrick Caulfield (1936-2005).

Working closely with the Caulfield family, the exhibition comprises works on paper, paintings and sketchbooks from his archive, together with a selection of significant paintings loaned from important collections within the UK. The presentation considers the shaping of an artist whose work so often played with reality and illusion, and for whom restraint, conceptually and formally, was fundamental to practice. As an artist with a renowned ability to reconcile society and solitude, this intimate reappraisal reflects on how Caulfield’s philosophy and approach guided his creative methodology and output; providing a deeper understanding of Caulfield’s subconscious, his energy, and his sense of humour as a painter of modernity.

The exhibition’s title, Pass the Peas, comes from a 1968 Western film The Stalking Moon where Gregory Peck’s character considers how the mundane can simultaneously be extraordinary, and how seemingly insignificant details function to punctuate our existence. In Caulfield’s work, we see tools or vessels to elicit a certain feeling - a vase, a wine glass, a room as a site of comfort or of containment. Whilst posing as simple, functional devices, they are much more than the sum of their parts - details which open up worlds of aspiration and inspiration. It is these details, motifs and symbols which are highlighted in the remarkable archival works.

Well known for his shy personality and reclusivity, these unseen works tune into the more private profile of an artist whose life seemed in sharp contrast with his confident painterly style and his iconicism as a virtuoso of contemporary still life. From this body of work, we are able to trace Caulfield’s process and understand these acts and the tenets which drove and defined his work. Perhaps Caulfield’s most powerful legacy today, 18 years since his death, is what it takes to be an artist, how you get there, what you make, and what you share with others.